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Finally, X-Men: Divided We Stand #2
is the second of two anthologies, catching up on members of
the X-Men's extended family of supporting characters while
the team are dissolved. The first one was a mixed bag,
elevated largely by a Matt Fraction story.
This one is just a bit average, I'm
afraid. Individually, the stories are perfectly
inoffensive; but collectively, the series can't help but
feel superfluous.
The opening story is the strongest.
Mike Carey and Scot Eaton's "Lights Out" is simply a
monologue by the Beast as he recovers some possessions from
the wreckage of the school (and retrieves the disembodied
brain of Martha Johansson, who apparently hasn't been
forgotten about after all). It isn't really a story,
just a vignette. But with the team apparently about to
relocate to the west coast, saying goodbye to the old school
seems to have fallen through the cracks. This story
does it, and that's something.
"Planting Seeds" is the first of two
stories written by C.B. Cebulski. It's a Magik story,
and the basic point is "Hey, remember how we brought Magik
back in New X-Men? Well, so do we." This
story seems to be taking the line that the Darkchilde is
actually Magik, which I recall was a bit more ambiguous in
the original story. The plot, if you can call it that,
involves her plucking up the courage to visit the X-Men,
finding the school ruined, and going home again.
But basically, it's just a reminder that
this plot is still alive despite the cancellation of New
X-Men, and will be picked up... well, somewhere or
other. Daniel Yardin contributes some lovely art, but
there's not much else to it.
Cebulski's other story, "The Sun Also
Sets", features Surge and Dani Moonstar. It's one of
those rather awkward scenes where characters proclaim
philosophies at each other, and without more context to it,
it's difficult to take terribly seriously. All I
really got out of this is that Surge, a character who seems
to have been written out altogether, is feeling a bit emo.
Oh well.
"The Hole", by Andy Schmidt and Frazer
Irving, picks up on the Starjammers, who have been
languishing in a Shi'ar jail since the Emperor Vulcan
miniseries ended. If you're wondering what that could
possibly have to do with "Divided We Stand", well, the story
sees Vulcan gleefully breaking the news to Havok.
Havok then gets a bit annoyed.
At best, this is a trailer for a Havok/Vulcan
story, to appear in some unspecified place at some
unspecified time. However, the art gives it some
value. Colouring his own work, Irving produces some
lurid lighting effects and goes to town on Havok's powers.
Irving's not always a comfortable fit for superhero stories,
but the sheer oddity of Havok's design seems to play to his
strengths.
Finally, we have "Idée
Fixe" by Duane Swierczynski and Chris Burnham. This
really has nothing to do with "Divided We Stand." It's
a prologue to Swierczynski's Cable series, explaining
from Forge's perspective how Bishop got that artificial arm.
Obviously, for readers who thought Bishop's flashback in
Cable #2 just wasn't detailed enough, this will be
essential reading. The rest of us and shrug and move
on.
A mostly
average collection, including a couple of borderline
trailers, raised somewhat by artwork stronger than the
stories really deserve.
Rating: B
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