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Also this week...
A MAN CALLED KEV #1 -
The running joke that would not die returns for yet another
miniseries, this time without the crutch of the Authority -
who, let's face it, are probably less popular than Kev by
this stage. If anything, this is slightly less silly
than some of the earlier stories, and probably suffers for
that. The highlight is probably a flashback scene at a
publisher's party, and otherwise there's a worrying sense
that Garth Ennis has run out of material for this character.
Mind you, even on autopilot, Ennis is funnier than most
writers, so it's still entertaining enough. But
probably time to draw a line under it. B
THE NEXT #1 - A
six-issue DC miniseries from Tad Williams and Dietrich
Smith. If you've never heard of Tad Williams, then
believe me, one thing will be glaringly obvious to you just
from these pages: he's a prose writer. The Next,
unfortunately, is a classic example of what happens when a
prose writer doesn't understand the visual medium - insane
quantities of utterly superfluous narration. "There is
a bus, though, a block and a half away and travelling a bit
fast. Myrna Sharples, the driver, is running late.
The Perkins kid has just fallen out of his seat and is
screaming in the aisle with a bloody lip and the other kids
are shouting and Myrna isn't paying the kind of attention
she should..." Didn't the editor explain to Williams
that they're paying a perfectly good artist to convey that
sort of information? If you can get past that kind of
thing, then it's a curious throwaway book in which a bunch
of cosmic refugees with names like "Poetry Slam" arrive on
Earth by accident and bond themselves to a local girl, which
means they can't leave her again. There's a
half-decent concept in there somewhere, but on the strength
of this issue, it's a series likely to be forgotten the week
after the final issue hits the shelves, if not sooner.
C
SNAKE WOMAN #1 - Another
stab for Virgin comics, following last week's alarmingly
misjudged Devi. The good news is that Snake
Woman is nothing remotely like Devi. Zeb
Wells and Michael Gaydos aren't going to make a comic like
that. The bad news is that it's still not especially
good. Wells' biggest strength is comedy, and there's
virtually no humour here - either he's trying something
where he's not so good, or he's plodding methodically
through Shekhar Kapur's pitch. Loosely, that story
seems to involve a quiet woman from Los Angeles who reacts
violently to some sort of snake-symbol. It's alright,
I suppose, but it's not particularly memorable, and all
involved have done much better than this in the past.
C
WOLVERINE: ORIGINS #4 -
This week's other X-book sees Wolverine fighting Captain
America. And that's about it, until some more people
show up at the end for added fighting. Of course, this
is an action issue by Daniel Way and Steve Dillon so it's -
how can I put this? - a bit sedate. Everyone stops for
a conversation in the middle, and Dillon in particular seems
horribly miscast on this title. Better than some of
the earlier issues in this storyline, since at least a
fairly clear plot is now emerging, but still not desperately
good. B
There's more from me at
If Destroyed,
and if you're desperate for more Article 10 columns, you can
always hunt through the archives on
Ninth Art.
Next week, the Civil War
crossover continues in X-Factor #9 and Civil War:
X-Men #1. The relaunch of the core titles
continues with Uncanny X-Men #476, the second
Brubaker/Tan issue. Robert Kirkman continues his
Magician and Phoenix storylines in Ultimate X-Men
#72. There's more Nimrod in New X-Men #28.
And X-Men: Fairy Tales #3 has another unlikely
reworking of a fable.
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